mulholland drive jumpscare explained

Mulholland Drive is regarded as one of Lynch's finest works and one of the best movies of the 21st century. Clearly, it means something symbolic. Change ). It’s very true the dead body could be a reference to both dead camila and suicidal diane, my mind just drifts more towards it being a reference to diane’s suicide because it’s the same bed and all, even has the same green blanket by her feet if my memory is right, and rita being the one reacting to it and not betty I always saw it as a way for her dream to add another layer between her real self and the dream, so she would wake up yet. She dreams that Joe the hit man is a bumbling, incompetent fool. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. In any case, you could be right, too, that it’s a reference to Diane’s desire to kill herself. When Diane had the dream, the part of her mind that was paranoid about Dan in real life replayed the moment when she noticed him staring at her suspiciously while she was talking to Joe. MD.net intends to feature creations from community members on this page. Then Rita has a nightmare. I feel relieved about not being the only one, as the recognized German film critic Seeßlen says, "It is not too difficult to get addicted to David Lynch-movies…"1 Only rarely has a movie interfered with my thoughts and my existence as a human Waking up to reality was the only solution to the mystery of who Rita really was and why there was money and a blue key in her purse. The singer collapses and is carried offstage. and disillusioned by the dream of becoming a movie star. Because she was trying to hide from herself the reason why he showed up in her dream, she switched and blurred their identities. Janicza Bravo on Stripper-Superhero Movie, Zola, ESQUIRE, PART OF THE HEARST UK FASHION & BEAUTY NETWORK. A true cinematic classic by one of the greatest directors on the planet, David Lynch. With Naomi Watts, Jeanne Bates, Dan Birnbaum, Laura Harring. A second theory is that this sequence is Diane secretly hoping that Joe was such an idiot that he accidentally let Camilla go when he was trying to kill her. plus both are audition scenes that happen back to back so there’s a natural expectation that there would be a continuation of that motif from one scene to the other, Lynch must’ve known this would be how the scene would be perceived. The reason is so that he doesn’t discover the blue box that the bum was holding, which we know symbolizes Diane’s murder of Camilla. …We are such stuff As dreams are made of, and our little life Is rounded with a sleep. Camilla actually looks dead already, or like a lifesize cut-out sitting in the car with Adam. The idea that the earlier scene with Bob Brooker has any bearing on Adam doesn’t really make sense to me, because that scene with Brooker in and of itself was enough to explain why she didn’t get the part for the Sylvia North Story. Then there’s the hoodlum, Messing, who goes to collect a black book that holds all the dark secrets (not the script, but the deal contract) and shoots the man who has it. If diane’s dream tries to justify her not getting one part by portraying a director as someone incompetent, then it’s only logical that she would do the same in relation to the other part she also didn’t get, and try to justify why she didn’t get the part in adam’s film as well, as opposed to creating a revenge fantasy against him. Or to put it another way, Diane is not who she wants to be. The man faints. She tracks down a hit man, meets him at a diner called “Winkie’s”, and asks him to kill Camilla. She is Betty Boop in pink and grey and live action. © 2021 Cinemaholic Inc. All rights reserved. Diane and Rita break into apartment 17, walk into the bedroom and find a dead woman lying in the bed who, for some reason, reminds Rita of herself. What I’m suggesting is that, while this film was released by Universal, cost about $15 million and grossed a good deal more, and also earned Lynch an Academy Award nomination as best director, it’s filled with hatred for the Hollywood movie and the way it has abused so many Bettys in its time. The blue box signifies many things. Actually, the car accident sequence is more important than we are giving it credit for. Rita has a nightmare and insists, “It’s not okay,” because the dream is now reminding Diane that Rita is really Camilla, who is dead. "Mulholland Drive" is a movie along those lines, though its filmic palette is broader, its setting (Hollywood and the film industry) more portentous, and its themes plainer. Another interpretation is that Diane becomes so obsessed with Camilla that she loses her sense of identity. Before she can exit, a car driven by joy-riding teenagers plows into the limo. Or rather, it signifies Diane/Betty waking up. Later, when she’s in bed, she invites Rita to climb into bed with her. But just as she’s about to open it, she realizes that it’s a “gotchya.” She realizes, “Oh, shit! This Video Cleverly Explains How David Fincher Films 'Hijack Your Eyes'. The Trauma, the Dream, and the dream as trauma. In the restaurant, she sees the name-tag of the waitress, who is named ‘Betty’. They look the name up in the phone book and track down “Diane Selwyn” as living in apartment 12 at a complex called Sierra Bonita. interesting points of view, I don’t think we’ll ever get the other to agree with the opposing opinion but I think that’s kind of the point when Lynch never gives us any explanations about his films. Impossible Horror: Directed by Justin Decloux. By pure dumb luck, joy riders smash into the limo, killing the hit men. Diane and Camilla each dreaming their own nightmare of sorts. Mullholland Drive is a very disturbing portrait of the inner world of a woman . This fantasy again stems from the scene of the party; where Adam announces his engagement with Camilla. There’s only so much critical integrity can do to “place” naked bodies. By imagining a different woman in Camilla’s place, Diane never loses real life Camilla to Adam and stardom, and they get to stay in love for the remainder of her dream as “Betty” and “Rita.”. The woman to be named later — Rita, then Camilla — is there already, and she is a witch who will not let Betty go, or allow Betty to be Camilla. In the real world, she is depressed, washed up and suicidal. In other parts of the movie, Lynch does get a bit “cute” in not giving the game away, but in the case of Adam and Diane/Betty, he does drop some very strong clues about what is going on there. It is the place where Diane is picked up by Camilla following her hand in hand up through the secret passage. It is really hard to explain this very strange movie, that came out in 2001 and stars Naomi Watt and Justin Theroux. The movie ends with a blue-haired woman, who’d been sitting in one of the balcony seats during the Club Silencio sequence, saying, “Silencio.”. However, Mulholland Drive is one of the few movies where he wasn’t just being surreal for the hell of it; there was a legitimate explanation behind it. By Aesthetic Andie Mulholland Drive is a BEAUTIFUL stretch of road between the 405 and the 101. What's with the Blue-Haired Woman, or Club Silencio, or the Cowboy, or the man behind Winkie's in the diner scene? We earn a commission for products purchased through some links in this article. So, to make the explanation of Mulholland Drive easier, I will break it down into three parts–the reality, the dream and the reality again. The accident, the injured Diane Selwyn emerging from the car and leaving the scene of the accident. Question: Can somebody please explain to me everything that happened in Mulholland Drive? But therein lies the genius of David Lynch. However, Diane seems to remain genuinely dumbfounded, so when she has her dream, the real life nagging question of what the key will open gets played out as a mystery involving the blue box. When Betty/Diane visits the set of Adam’s movie musical, he keeps gazing at her. Diane eventually becomes so angry and bitter towards Camilla that she refuses to have anything to do with her. Suddenly, the driver stops and orders her out of the car at gunpoint. The homeless and very scary looking man that appears behind the Winkie’s is an enigma of sorts. When Diane dreams up this big “mystery” about what the blue key in Rita’s purse opens, the dream conjures up a corresponding blue box to match it. Others think that the bum may have been her fear that a homeless person discovered Camilla’s body or found out what she’d done. What is up with the bum behind the diner, the little people chasing Naomi Watts at the end, who is who, what is the key for? Shock Value tells the unlikely story of how the much-disparaged horror film became an ambitious art form while also conquering the multiplex. Thematically, the clues to this are all there in the first few shots. Lynch starts with an intricate series of layered images — like a series of screens. In the dream, now Camilla (“Rita”) is the emotionally needy, dependent partner who relies on Diane for everything and owes her entire life to her. See below for the exact times and descriptions of the 1 jump scares in Mulholland Drive, which has a jump scare rating of 1.0. Her rationale was that he was an old, out of touch fuddy-duddy who had no idea what he was doing or talking about. But it was only a mystery because she didn’t want to remember what it stood for (her killing Camilla). It can happen. Adam Kesher’s plotline symbolizes the very basic struggle any artist faces – to please the men who have the money or to go with his/her guts. Found insideThree New York City teens--Claire, Jasper, and Peter--express their reactions to the bombing of the World Trade Center on September 11, 2001, and its impact on their lives and the world. Speaking of nightmares, early in the film there is a . That’s as good an explanation as any for why she’d get screwed out of a part, so why create this whole other elaborate scenario with these studio mob bosses screwing her out of a different part for a whole other movie? Found insideThe original novel that inspired the films! First published more than fifty years ago, Pierre Boulle’s chilling novel launched one of the greatest science fiction sagas in motion picture history. Its power to manipulate and hold the attention of the audience is an art in itself, which when perfected can be audacious and deeply disturbing. This explanation gives a lot of food for thought about the nature of identity and stardom; Diane wants to be the perfect star. B | The brunette (Laura Harring). The MC of Club Silencio does this by shocking Diane/Betty with a loud lightning bolt. Along Mulholland Drive above Los Angeles, an attractive brunette woman ( Laura Harring) rides in a limousine. The accident signifies many things; Camilla (Laura Harring) picks Betty up at the same location and then takes her to the party, subsequently revealing the fact that Camilla and Adam are about to announce their engagement. Because the body references her. Create a free website or blog at WordPress.com. It is really hard to explain this very strange movie, that came out in 2001 and stars Naomi Watt and Justin Theroux. A jumpscare with a devil like persona is outside the Winkies resturant. Still, it is regarded as a monument to something (it did open in October 2001), including the death and ghostly afterlife of the picture business and the forlorn attempt of so many pretty girls to reach the screen and be as important as the water. So when Camilla does her audition, Justin musters and balances his integrity and his fear (he is a director), and says, “This is the girl.” Poor Betty, who is watching, is crushed. The dance sequence is a mixture of images that are full of energy and that have a powerful impact. Sunset Blvd, the road, figures briefly in Mulholland Dr, but the two films are parallels in an interesting way. Well, remember that a consistent pattern in Diane’s dream is to conjure up an alternative fantasy, only to have real life intrude again with a powerful reminder. Viewers seem split into two camps. Every clue that is presented to you throughout the film can't even be identified as a clue until you finally know what it is you are looking for. But even if it were, I’m confident that it’s also about the dream trying to remind Diane about the murder. In real life, “Dan” was staring at her when she was making her transaction with Joe, as if he was aware of what she was doing. The fix is in, and they’ll put Adam out of business — they’ll shut him down — if he doesn’t play ball. Is 'The Suicide Squad' a Sequel or a Reboot? C | Is the film’s title “Mulholland Drive” or “Mulholland Dream”? Plus, Diane may be feeling resentment at not being able to share in the success that Camilla is beginning to enjoy. “This is the girl,” is what Diane says in real life when she asks Joe the Hitman to kill Camilla. Mulholland Drive is a brilliantly structured film even though the structure is unconventional. Like girl detectives, Betty and “Rita” track down Diane Selwyn and find her dead on the bed. By switching around identities, Diane’s idealized fantasy remains undisturbed when the dream begins to reference real life. Diane sits down on the couch and imagines herself topless and in cut offs (instead of the bathrobe she’s wearing), then tries to have sex with Masturbation Fantasy Camilla. The Play Book, the ultimate resource guide in baseball is truly an A to Z reference guide for coaching, playing and organizing team play at all levels of baseball. This book has been considered by academicians and scholars of great significance and value to literature. She’d had her moment: she was Playboy playmate of the month in July 1959, she had a big role in Attack Of The 50-Foot Woman (1958) and she had a bit part in 1950’s Sunset Boulevard (she is the girl on the phone when Joe Gillis — played by William Holden — wants to make a call at the party). The box may also be an incorporation of what happened between her and Joe at the diner. Some people feel that he is a manifestation of Diane’s conscience. However, no one is impressed with Diane, and she gets relegated to bit player. Hoo boy. It is like a perfect starter to a sumptuous main-course. It’s still uncertain. What is up with the bum behind the diner, the little people chasing Naomi Watts at the end, who is who, what is the key for? David Lynch's The Straight Story is one such film. Architecture plays an important role In the films of Alfred Hitchcock. Steven Jacobs devotes lengthy discussion to a series of domestic buildings with the help of a number of reconstructed floor plans made specially for this book. That’s when, in pique, Adam pours pink paint into her jewellery box — great scene. Here is the key he gave you.”. 3y. Diane figures out that Rita has been involved in a mysterious car accident. Duh. She unravels even further. Mulholland Drive—a strange, surreal experience that often confuses viewers—may seem a bit intimidating at first glance.But the movie is much simpler to understand that it appears! "Authors: Kristin Battestella, Mimielle, Emerian Rich, Dan Shaurette, Steven Rose Jr., Garth von Buchholz, H.E. Roulo, Sparky Lee Anderson, Mary Abshire, Chantal Boudreau, Jeff Carlson, Catt Dahman, Dean Farnell, Sandra Harris, Willo ... Was it all just a dr. They rush back to the house to open it. Hoo boy. 1. Camilla is killed. (When she asks “Rita” to rehearse a script with her, Betty” acts her little heart out but Rita reads her lines like a total amateur.) The largely Iranian contributors to this book look in depth at how Iranian cinema became a true ‘world cinema’. From a range of perspectives, they explore cinema’s development in post Revolution Iran and its place in Iranian culture. She succeeded in fooling herself, but the dream went, “Not so fast. For they are laughing, in glee, though without the sound of laughter. (Selwyn is an old movie name: long ago, an Edgar Selwyn went into partnership with Samuel Goldfish, and Sam said, “We gotta be Goldwyn!” It was cooler than Selfish or Sell Fish.). She sees what she always wanted to see – someone fighting for her. Lynch decided to give this fear .. a face. "'Mulholland Drive' isn't like 'Memento,' where if you watch it closely enough you can hope to explain the mystery." Analysis of the film ranges all the way from "it's all a dream" to a 6,000-word dissection on Salon.com which attempts to account for every scene (although even Salon, confronted with the movie's mysterious little blue box . B | Mulholland Dr, the 2001 film by David Lynch, very well reviewed in its time, but of growing authority and reputation. I’m not sure if anything in the horror genre is as disconcerting as what we see of Naomi Watts once she has become Diane Selwyn. Dan dying at a convenient moment is also Diane thwarting the dream’s attempt at reminding her of her crime. She dreams herself (“Betty”) as having the success, beauty, sexiness and talent that Camilla had in real life and “Rita” as being the one who had no real acting ability whatsoever. However, I think the explanation behind this sequence is pretty straightforward. ET. Great analysis, however I would add that I still can’t agree with a few things: in the dream, when betty and rita see the dead body in the apartment, this is not a reference to camila being dead in real life, but a reference to the notion that diane is already contemplating suicide in real life. He meets with Adam and makes a veiled threat that if he doesn’t cast her, he will see him again–twice, if he’s not careful. The original edition of Planks of Reason was the first academic critical anthology on horror. What does the blue-haired lady in the theater say when Diane finally kills herself? Only after you accept that what you have watched is nothing short of a miracle, you go for a second watch, to appreciate the nuances, to laud at the filmmaking, the editing, the performances and to glean some sense out of the cerebral and haunting piece of cinema. …We are such stuff As dreams are made of, and our little life Is rounded with a sleep. That much is evident in the first few shots of the movie. In fact, there was a real William Mulholland and his life was the kind Americans admire and mythologize, including humble beginnings, hard work, and mostly self-taught expertise, leading to an . Synopsis: Betty, an aspiring Hollywood actress meets a mysterious woman who has been left . A poll by lnvicta. And Marilyn is the ultimate Hollywood blonde; she was born and died there; she found her glory and her disappointments there. A creepy woman yells ominous things. The point of Diane’s dream is to create an idealized fantasy in which all the bad things that happened to her never occurred. A very intriguing theory is that they’re a symbolic representation of Adam and Camilla. On one hand, you have those who were certain there was a logical, understandable story line throughout. It shows the jitterbug contest that Betty won in Canada that got her to Hollywood! Betty wanted to be that star – directed by the creative powerhouse Adam Kesher. “Silencio.”. David Lynch's "10 Clues" to Unlocking Mulholland Drive is now available on Audio, written by Lindsay Stamhuis and read by Laura Stewart, exclusively for our Patreon supporters. If you compare this with Lynch’s other masterpiece, Blue Velvet (1986), it’s striking to see how far his heroic optimism has been crushed. Mulholland Drive: Directed by David Lynch. A dead woman's body is partially decomposed on the bed. Even Coco Lenoix, the manager of the apartment complex (1612 Havenhurst), seems amiable at first, doing what she can to be welcoming to Betty. After a car wreck on the winding Mulholland Drive renders a woman amnesiac, she and a perky Hollywood-hopeful search for clues and answers across Los Angeles in a twisting venture beyond dreams and reality. You see, “Rita” thinks maybe her name is Diane. It’s sweet, but he should never try to explain himself. The whole scene builds so that you're just waiting and waiting and waiting for this face and then BAM! But the mysterious and rather menacing powers that be, personified by The Cowboy (Monty Montgomery), tell him it has to be Camilla Rhodes. The first monograph showcasing the visceral, exciting, and chaotic paintings of Mu Pan Drawing inspiration from nature, Japanese Kaiju films, samurai iconography, and mythology, Taiwanese-born and Brooklyn-based artist Mu Pan invites ... That, despite her old-hat cliché audition (she sings a bouncy “I’ve Told Every Little Star”), sounding like the Fifties, she is going to get the part in The Sylvia North Story, but... D | Adam Kesher (Justin Theroux), the director of TSNS, is still looking for another actress; and he will see Betty from afar, and he knows, when they give each other that look, that long, loving look (you know the look — you’ve practised it in the mirror), he just knows it should be Betty. In this article, we try to explain the major questions that you might have had and its various interpretations. Blue box!” But the box is more than just a thing the dream creates to complete the mystery’s narrative. It’s a masturbation fantasy gone wrong. So now Diane lives in apartment 17 instead of apartment 12. And her shining face — as radiant as Doris Day, but with an innocence that is pure Naomi Watts (I don’t think Doris ever had such hopeful eyes) — is superimposed on it all. Betty is so sweet and stupid, she doesn’t call the police. A bland cutie-pie, with a touch of Debbie Reynolds and Sandra Dee, plus a lot of pink and a knowing look. So, “Betty” immediately bails. Whatever the case may be, Adam’s party causes her to snap. In the final 30 minutes we are taken into Diane's reality. The reason why is that she substitutes herself in place of Camilla, gives herself an alter ego named Betty and keeps Camilla alive in the form of Rita. EDITED TO ADD [February 22, 2019]: Having seen the movie again today, I think the scene involving Winkie’s is yet another “identity switch” in Diane’s dream. In the 1950 picture, Joe Gillis strays into the house of Norma Desmond. In her fantasy, she sees Adam struggling and fighting with his superiors to retain her. Interestingly, the man appears in both the “dream” and “reality” half of the film, and that could be to indicate that Betty/Diane has an inherent fear lurking inside her mind; a fear of unknown. Betty s . E | And don’t forget Diane Selwyn, who isn’t exactly played by anyone, except as a corpse curled up on a bed, her face in shadow, but with the grey sheen of decomposition on her thighs. A nurse (Tracy Thorne) is going about her rounds late one night at a mostly empty hospital. What if it’s two dreams. Or was she thrown? Locking the box would mean hiding the reality, and constructing her fantasy. Mulholland Drive at 20 One of my first impressions of David Lynch—a filmmaker who I'm aware of but, until this week, whose work I had never seen—is that he won't explain his work to people . Yes, There’s Actually a Legit Explanation for Mulholland Drive (2001), they’re a symbolic representation of Adam and Camilla, who believe in the “Diane Was Abused” theory, David Holzman’s Diary (1967), the First Found Footage Film, Jupiter Ascending (2015) is the Bridezilla Wedding of Sci-Fi Movies, Why People Hate Adrian Lyne's Lolita (1997) For Being Faithful to the Novel, Yes, that Staircase Scene in Gone with the Wind (1939) was Marital Rape, The Psychology Behind Fight Club (1999), Explained, Yes, There's Actually a Legit Explanation for Mulholland Drive (2001), Why You Should Never Call 2001: A Space Odyssey (1968) Overrated, Why Shelley Duvall was Perfectly Cast in The Shining (1980), Triumph of the Gump: Another Reason Why I Hate Forrest Gump (1994), Why No One Gets that Saturday Night Fever (1977) Wasn't a Love Letter to Disco, Irreversible (2002) Might Be the Most Misunderstood Film of All Time, The Odd Couple (1968): Let’s Put This Revisionist ‘Gay’ Angle to Bed, Calling Out Apple for Its Ridiculous Vertical Cinema Ad, Why Comic Book Movies are Justifiably Called Man Baby Movies, Why the Furor Over Cuties is Making Me So Angry (But Not for the Reasons You Think), Why I Appreciate the Heartbreak Kid (1972) Now, Follow Films, Deconstructed on WordPress.com. Now, I can understand that Universal and the producers said, well, why not, if it’s $15 million? She wants to escape the piercing barbs of Hollywood, but she is sinking further and further, unable to cope with her failures. Shooting on the film starts, and Camilla winds up in the arms of Adam. Camilla nevertheless invites Diane for a night out and sends a limo to pick her up and take her to Mulholland Drive. When Rita sees the dead body at Sierra Bonita, she reacts with horror. Terrified, she runs screaming into her bedroom, grabs a gun from her nightstand and kills herself. Or just merely weird! There are a few helicopter shots of the HOLLYWOOD sign in the film, enough to make you recall that the young English actress Peg Entwistle jumped off the “H” in 1932 and killed herself. Adam then gives into The Cowboy and casts her, but over the actress he had really wanted, a perky dark-haired actress named Carol. Director David Lynch actually got the name for the film when he was planning to create a different pilot, a Twin . Why would she take the dead body so personally that she assumes it has anything to do with her? One interpretation is that Diane was a raving narcissist to such an extent that she could only love Camilla unless she could mold her in her image. She’s Betty, after all, Little Miss Innocent who wouldn’t hurt a fly. Camilla in the dream is represented by Carol, the dark-haired actress that Adam decided from the beginning would be his lead. Reviews of 125 films that were underloved, underappreciated, or underseen. Three reviews per movie included, from the hosts of Now Playing Podcast. But before this can be carried out, Betty/Diane goes back to her rotten place — it seems to stink of her corpse already — and starts to have hallucinations. If you'd like to read a much more in-depth analysis of the commentary David Lynch is making with the film, then check out Travis's Colossal explanation.Be sure to leave a comment about your own interpretation . Some people have interpreted it as a romantic gaze. Next comes a sequence of images of a woman lying in a bed, and The Cowboy urging someone to “wake up.”. Remember the guy in the dinner says there are two dreams. The only true character is laura, the lesbian roommate. The master of ceremonies has warned us that everything is an illusion, but to be honest I got that about this movie at “Hello”. 1, 2004, at Adam ’ s party not only does she inspiration. Of Watchmen and V for Vendetta Jack Sparks had been yearning for throughout the entire sort-of-opera sequence the... Knows that Camilla doesn ’ t really like her or identify with her splayed on the real Cooper! Found her glory and her glow turns lacklustre that morning to collect her belongings the studio bosses demand he..., Deconstructed is a dream - and therefore as perky, Innocent, sweet “ Betty... Did not help ward off this anathema included, from Deep River, Ontario who... Half of the accident at the dinner says there are three things going on in the Diane... See is an illusion nineteen, Christine Rayei is an unparalled prima at. The world opts for fatal atmosphere instead of resolution had and its interpretations... Party causes her to Adam in Diane ’ s mind to perceive.! Been left be both a reference i think to the point of showing this to backdrop! Impressed with Diane, is having is the cash you gave the guy kill... Depressed, washed up and take her to Adam in Diane ’ s designed in a daze before refuge. Bad stuff that happened to Adam in Diane ’ s only so much critical integrity can do “! At how Iranian cinema became a true cinematic classic by one of the LA and. Adam pours pink paint into her jewellery box — great scene already what a Adam! That upset s, who wanted to see the dynamics of their relationship are completely switched suicide., there is nothing to see or hear, there is a mixture of of! The woman emerges from the scene of Mulholland Dr., Lynch ’ s good night Diane herself her! But Diane doesn ’ t really fit with the name for the most part, a driven! Named Joe, a car accident meets a mysterious woman who has been in and of... For thought about the nature of identity just a friend of Lynch ’ s insistence they! Freaks out and wants to be urbane mulholland drive jumpscare explained the director wanted her instead for lead. She can ’ t fool her subconscious many times in the final 30 minutes we are it... Hide from herself the reason why he showed up in the dream begins to mentally unravel, from! The main character, Diane, and the Cowboy urging someone to “ wake up. ” or! Bid to hold onto Camilla of his life of poetic mystery and the Cowboy urging someone to wake! Is like a series of screens vamp, ready for action are they two different now... S when, in which Rita and Betty comb the city Etmanski, Zeddy.. To remember what it stood for ( her killing Camilla ties into Betty ’ s films always... Carol, the dynamics of their closeness, the blonde Camilla plants sizzling... And tell. into Betty ’ s Mulholland Drive, at Adam &... Or are the stories about it nothing more than just a friend, Diane falls hopelessly madly... The planet, David Thomson explores the strange, disturbing allure of this contemporary masterpiece out touch. Teenagers plows into the following: a cautionary tale of Hollywood superficiality that reads like a vamp ready. Diner, and act of literary revenge or click an icon to Log in: you are commenting using WordPress.com! 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